The story of how Europe was converted to Christianity from 300AD until the barbarian Lithuanians finally capitulated at the astonishingly late date of 1386. It is an epic tale from one of the most gifted historians of today.

This remarkable book examines the conversion of Europe to the Christian faith in the period following the collapse of the Roman Empire, to approximately 1300 when the hegemony of the Holy Roman Empire was firmly established.

Like Alan Bullock and Simon Schama, Fletcher is a historian with the true gift of a storyteller and a wide general readership ahead of him.

Fletcher’s previous book, The Quest for El Cid , won both the Wolfson History Prize and the Los Angeles Times Book Award for History. This book is even better – the most impressive achievement so far of this strikingly gifted historian.

This is the only book to chart the history and development of modern probability theory. It shows how in the first thirty years of this century probability theory became a mathematical science. The author also traces the development of probabilistic concepts and theories in statistical and quantum physics. There are chapters dealing with chance phenomena, and current major mathematical theories, together with their foundational and philosophical problems. Among the theorists whose work is treated at some length are Kolmogorov, von Mises and de Finetti.

The history of the Late Roman Empire in the West has been divided into two parallel worlds, analysed either as a political and economic transformation or as a religious and cultural one. But how do these relate one to another? In this concise and effective synthesis, Ian Wood considers some ways in which religion and the Church can be reintegrated into what has become a largely secular discourse. The Church was at the heart of the changes that look place at the end of the Western Empire, not only regarding religion, but indeed every aspect of politics and society. Wood contends that the institutionalisation of the Church on a huge scale was a key factor in the transformation which began in the early fourth century with an incipiently Christian Roman Empire and ended three hundred years later in a world of thoroughly Christianised kingdoms.

A history of the relationship between art and geometry in the early modern period.

In The Polyhedrists, Noam Andrews unfolds a history of the relationship between art and geometry in early modern Europe, told largely through a collective of ground-breaking artisan-artists (among them, Luca Pacioli, Albrecht Dürer, Wenzel Jamnitzer, and Lorentz Stöer) and by detailed analysis of a rich visual panoply of their work, featuring paintings, prints, decorative arts, cabinetry, and lavishly illustrated treatises. But this is also an art history of the polyhedra themselves, emblems of an evolving artistic intelligence, which include a varied set of geometrical figures--both Platonic, or regular, like the simple tetrahedron, and Archimedean, or irregular, like the complex yet beguiling rhombicosidodecahedron.

Moreover, The Polyhedrists argues that the geometrical depictions of Dürer, Jamnitzer et al. were far more than mere follies from the dawn of perspective, at odds with a contemporary view of the Renaissance, and destined to be superseded by later developments in higher level mathematics. In fact, the evolution of the solids into innumerable "irregular bodies" constituted a sustained moment in the formulation of Renaissance mathematical knowledge and its engagement with materiality. This intense field of experimentation would birth a new language of geometrical abstraction that would ignite a century of novel form-making strategies, ultimately paving the way for developments in geometry and topology in the nineteenth and early twentieth centuries, and even prefiguring the more recent digital turn. The book, in this sense, is not just an applied history of geometry, nor a particular geometric reading of early modern art through some of its more celebrated practitioners, but a manifesto of sorts into the hitherto unexplored wilds of art and science.

The Holy Roman Empire, a relic of a lost age, dominated Europe for 1,000 years, from the time of Charlemagne until its final `demolition' by Napoleon. This study, over thirty years old and now reprinted again, charts the fluctuating fortunes of the Empire's dynasties, the Ottonians, Salians and Habsburgs, and their constant struggle to assert their inherited authority over Italy, Rome and the Papacy. Half of the study focuses on the post-medieval years.

This volume completes the immensely learned three-volume A History of Religious Ideas . Eliade examines the movement of Jewish thought out of ancient Eurasia, the Christian transformation of the Mediterranean area and Europe, and the rise and diffusion of Islam from approximately the sixth through the seventeenth centuries. Eliade's vast knowledge of past and present scholarship provides a synthesis that is unparalleled. In addition to reviewing recent interpretations of the individual traditions, he explores the interactions of the three religions and shows their continuing mutual influence to be subtle but unmistakable.

As in his previous work, Eliade pays particular attention to heresies, folk beliefs, and cults of secret wisdom, such as alchemy and sorcery, and continues the discussion, begun in earlier volumes, of pre-Christian shamanistic practices in northern Europe and the syncretistic tradition of Tibetan Buddhism. These subcultures, he maintains, are as important as the better-known orthodoxies to a full understanding of Judaism, Christianity, and Islam.

In volume 2 of this monumental work, Mircea Eliade continues his magisterial progress through the history of religious ideas. The religions of ancient China, Brahmanism and Hinduism, Buddha and his contemporaries, Roman religion, Celtic and German religions, Judaism, the Hellenistic period, the Iranian syntheses, and the birth of Christianity—all are encompassed in this volume.

"No one has done so much as Mr. Eliade to inform literature students in the West about 'primitive' and Oriental religions. . . . Everyone who cares about the human adventure will find new information and new angles of vision."—Martin E. Marty, New York Times Book Review

In 1634 Urbain Grandier, a handsome and dissolute priest of the parish of Loudun was tried, tortured and burnt at the stake. He had been found guilty of conspiring with the devil to seduce an entire convent of nuns in what was the most sensational case of mass possession and sexual hysteria in history. Grandier maintained his innocence to the end and four years after his death the nuns were still being subjected to exorcisms to free them from their demonic bondage. Huxley's vivid account of this bizarre tale of religious and sexual obsession transforms our understanding of the medieval world.

First published in 1954, this book examines the process by which the Codex--the traditional form of the western book--replaced the scroll as the primary vehicle for literature. Drawing upon evidence accumulated in the last thirty years, this revised edition gives fresh insight into the
remarkable role the early Christian church played in the transformation of the printed word.

The classical historian Theodor Mommsen (1817-1903) published his monumental History of Rome between 1854 and 1856. His work was received with widespread acclaim by the scholarly community and the reading public. In 1902 Mommsen was awarded the Nobel Prize for Literature and acclaimed as 'the greatest living master of the art of historical writing'. Mommsen rejected traditional Enlightenment accounts, which glorified ancient Rome; instead, guided by a new and rigorous criticism of sources, Mommsen began the demythologisation of Roman history. In a vivacious and engaging style, Mommsen drew bold parallels between the nineteenth century and classical Rome.
This abridged edition covers the period of the Roman Revolution - from the abortive reforms of the Gracchae through the bloody death struggle of the Republic to its real extinction at the hands of Caesar.

A history of Catholicism from the Council of Trent in the middle of the sixteenth century to the suppression of the Society of Jesus in the eighteenth century, this accessible study of Catholicism offers the first synthesis of the vast scholarship on Catholic renewal in Europe and on Catholic missions in the non-European world. Professor Hsia discusses the doctrinal and ecclesiastical renewal after Trent and the progress of Catholic reconquest in various lands. He also analyses the social composition of the Tridentine clergy and the papal curia and explores the making of early modern sainthood and the enclosure of religious women. Encompassing art and architecture, Hsia attempts to understand Catholic renewal as a vast historical development that shaped European civilization between the sixteenth and eighteenth centuries and at the same time explores its expansion and encounter with non-Christian civilizations in America, Africa, and Asia.