Conductor – Sandro Gorli
Ensemble – Divertimento Ensemble
Piano – Maria Grazia Bellocchio
Viola – Maria Ronchini

Cello – Pablo Tognan (tracks: 1 to 6)
Clarinet – Bogdan Sydorenko (tracks: 1 to 4, 6)
Composed By – Fausto Romitelli (tracks: 1, 6), Franck Bedrossian (tracks: 5), Gérard Grisey (tracks: 2), Tristan Murail (tracks: 4), Yann Robin (tracks: 3)
Conductor – Léo Warynski
Ensemble – Multilatérale
Flute – Matteo Cesari (tracks: 1 to 2, 4, 6)
Piano – Lise Baudouin (tracks: 2 to 4)
Violin – Pieter Jansen (tracks: 1 to 2, 4, 6)

Recording Date: 27-29 Mar 2023
Recording Venue: Witold Lutosławski Concert Studio of the Polish Radio, Warsaw/Poland
Release: January 2024

Pierre Jodlowski’s Séries based on colors is an open collection of works for piano and electronics, currently consisting of six parts. Created over the course of nearly two decades, with intervals of several years, and for various occasions, these compositions are typically performed separately as independent pieces. However, pianist Małgorzata Walentynowicz suggested combining them into a cycle. This album is the result of over a decade-long collaboration between Pierre Jodlowski and Małgorzata Walentynowicz, who has been performing the pieces since 2011. (Monika Pasiecznik)

Recording Date: 2019-2024
Recording Venue: Oktaven Audio, Mount Vernon, USA; Guarneri Hall, Chicago, USA
Release: March 2025

Felipe Lara’s Chamber Works for Strings redefines the ensemble as a resonating body, where strings become vocal cords and bows breathe sound into existence. In Corde Vocale and Tran(slate), the quartet is not a polite conversation but a raw, elemental force – organic, urgent, and monstrous. Sonare unfolds in processional waves, while Archi elastici stretches time to its breaking point, embodying breath itself. With Postcard and Prisma, Lara explores dialogue and divergence. Across these works, the voice – literal and metaphorical – becomes motion, tension, and transformation, revealing music as a vital, restless energy in perpetual evolution.

Recording Date:
various, 2015-2019
Recording Venue:
various
Release:
October 2019

In tönendes licht., Klaus Lang imagines the Gothic cathedral as a resonating body shaped by the architectural principles of hierarchy and proportion. Performed by Wolfgang Kogert and the Wiener Symphoniker conducted by Peter Rundel, the work creates a unique interplay between the physical structure of the cathedral and the ephemeral presence of the music, evoking the medieval understanding of light and sound as pathways to the divine. Inspired by the ideals of Gothic art, Lang explores the concepts of unity and diversity through sound, blending the shimmering, warm golden orchestral tones with the metallic, silvery, and cold tones of the organ. The composition invites deep, contemplative engagement, where repetition and proportion open up new dimensions of perception – a sonic experience as timeless and profound as the architecture in which it is located.